Archive

[vc_row content_text_aligment="" use_row_as_full_screen_section="no" css=".vc_custom_1530717261827{margin-right: 25px !important;margin-left: 25px !important;}"][vc_column][vc_empty_space height="60px" css=".vc_custom_1530718448778{margin-right: 25px !important;margin-left: 25px !important;}"][vc_row_inner content_text_aligment="" css=".vc_custom_1466766289667{margin-right: -25px !important;margin-left: -25px !important;}"][vc_column_inner css=".vc_custom_1466774496691{padding-right: 25px !important;padding-left: 25px !important;}" offset="vc_col-lg-4"][vc_custom_heading text="Between the Dog and the Wolf" font_container="tag:h5|font_size:16|text_align:left" google_fonts="font_family:Open%20Sans%3A300%2C300italic%2Cregular%2Citalic%2C600%2C600italic%2C700%2C700italic%2C800%2C800italic|font_style:600%20bold%20regular%3A600%3Anormal" css=".vc_custom_1530796841007{margin-top: 0px !important;margin-bottom: 0px !important;}"][vc_empty_space height="18"][vc_column_text]This series of sculptures explored ideas about transition and change through the use of installation, mixed media and the creation of work made

[vc_row content_text_aligment="" use_row_as_full_screen_section="no" css=".vc_custom_1530717261827{margin-right: 25px !important;margin-left: 25px !important;}"][vc_column][vc_empty_space height="60px" css=".vc_custom_1530718448778{margin-right: 25px !important;margin-left: 25px !important;}"][vc_row_inner content_text_aligment="" css=".vc_custom_1466766289667{margin-right: -25px !important;margin-left: -25px !important;}"][vc_column_inner css=".vc_custom_1466774496691{padding-right: 25px !important;padding-left: 25px !important;}" offset="vc_col-lg-4"][vc_custom_heading text="Collective Traces" font_container="tag:h5|font_size:16|text_align:left" google_fonts="font_family:Open%20Sans%3A300%2C300italic%2Cregular%2Citalic%2C600%2C600italic%2C700%2C700italic%2C800%2C800italic|font_style:600%20bold%20regular%3A600%3Anormal" css=".vc_custom_1530796375105{margin-top: 0px !important;margin-bottom: 0px !important;}"][vc_empty_space height="18"][vc_column_text]The main focus of this body of work was towards a deeper examination of the influence of archaeology and archaic objects on my work, especially those from

[vc_row content_text_aligment="" use_row_as_full_screen_section="no" css=".vc_custom_1530717261827{margin-right: 25px !important;margin-left: 25px !important;}"][vc_column][vc_empty_space height="60px" css=".vc_custom_1530718448778{margin-right: 25px !important;margin-left: 25px !important;}"][vc_row_inner content_text_aligment="" css=".vc_custom_1466766289667{margin-right: -25px !important;margin-left: -25px !important;}"][vc_column_inner css=".vc_custom_1466774496691{padding-right: 25px !important;padding-left: 25px !important;}" offset="vc_col-lg-4"][vc_custom_heading text="Human Animal Hybrids" font_container="tag:h5|font_size:16|text_align:left" google_fonts="font_family:Open%20Sans%3A300%2C300italic%2Cregular%2Citalic%2C600%2C600italic%2C700%2C700italic%2C800%2C800italic|font_style:600%20bold%20regular%3A600%3Anormal" css=".vc_custom_1530795552630{margin-top: 0px !important;margin-bottom: 0px !important;}"][vc_empty_space height="18"][vc_column_text]During an artist’s residency in Hunter College, New York in the summer of 2006, research at the Metropolitan Museum into the Egyptian collection and the relationship

[vc_row content_text_aligment="" use_row_as_full_screen_section="no" css=".vc_custom_1530717261827{margin-right: 25px !important;margin-left: 25px !important;}"][vc_column][vc_empty_space height="60px" css=".vc_custom_1530718448778{margin-right: 25px !important;margin-left: 25px !important;}"][vc_row_inner content_text_aligment="" css=".vc_custom_1466766289667{margin-right: -25px !important;margin-left: -25px !important;}"][vc_column_inner css=".vc_custom_1466774496691{padding-right: 25px !important;padding-left: 25px !important;}" offset="vc_col-lg-4"][vc_custom_heading text="The Uncanny Playroom" font_container="tag:h5|font_size:16|text_align:left" google_fonts="font_family:Open%20Sans%3A300%2C300italic%2Cregular%2Citalic%2C600%2C600italic%2C700%2C700italic%2C800%2C800italic|font_style:600%20bold%20regular%3A600%3Anormal" css=".vc_custom_1530794757381{margin-top: 0px !important;margin-bottom: 0px !important;}"][vc_empty_space height="18"][vc_column_text]The Uncanny Playroom began as a series of figures, seated in a conventional pose reminiscent of the one adopted for over three thousand years by Egyptian

[vc_row content_text_aligment="" use_row_as_full_screen_section="no" css=".vc_custom_1530717261827{margin-right: 25px !important;margin-left: 25px !important;}"][vc_column][vc_empty_space height="60px" css=".vc_custom_1530718448778{margin-right: 25px !important;margin-left: 25px !important;}"][vc_row_inner content_text_aligment="" css=".vc_custom_1466766289667{margin-right: -25px !important;margin-left: -25px !important;}"][vc_column_inner css=".vc_custom_1466774496691{padding-right: 25px !important;padding-left: 25px !important;}" offset="vc_col-lg-4"][vc_custom_heading text="DreamWork" font_container="tag:h5|font_size:16|text_align:left" google_fonts="font_family:Open%20Sans%3A300%2C300italic%2Cregular%2Citalic%2C600%2C600italic%2C700%2C700italic%2C800%2C800italic|font_style:600%20bold%20regular%3A600%3Anormal" css=".vc_custom_1530790977905{margin-top: 0px !important;margin-bottom: 0px !important;}"][vc_empty_space height="18"][vc_column_text]The exhibition entitled DreamWork, at the Freud Museum in November 2012 was part of a 3-year Arts and Humanities Research Council project, Ceramics in the Expanded Field, funded

[vc_row content_text_aligment="" use_row_as_full_screen_section="no" css=".vc_custom_1530717261827{margin-right: 25px !important;margin-left: 25px !important;}"][vc_column][vc_empty_space height="50"][vc_empty_space height="60px" css=".vc_custom_1530718448778{margin-right: 25px !important;margin-left: 25px !important;}"][vc_row_inner content_text_aligment="" css=".vc_custom_1466766289667{margin-right: -25px !important;margin-left: -25px !important;}"][vc_column_inner css=".vc_custom_1466774496691{padding-right: 25px !important;padding-left: 25px !important;}" offset="vc_col-lg-4"][vc_custom_heading text="A Thwarted Dynasty" font_container="tag:h5|font_size:16|text_align:left" google_fonts="font_family:Open%20Sans%3A300%2C300italic%2Cregular%2Citalic%2C600%2C600italic%2C700%2C700italic%2C800%2C800italic|font_style:600%20bold%20regular%3A600%3Anormal" css=".vc_custom_1530789782395{margin-top: 0px !important;margin-bottom: 0px !important;}"][vc_empty_space height="18"][vc_column_text]This group of ceramic busts was shown at the Sir John Soane's Museum in spring 2013 as part of an exhibition entitled Marking the Line;

[vc_row content_text_aligment="" use_row_as_full_screen_section="no" css=".vc_custom_1530717261827{margin-right: 25px !important;margin-left: 25px !important;}"][vc_column][vc_empty_space height="60px" css=".vc_custom_1530718448778{margin-right: 25px !important;margin-left: 25px !important;}"][vc_row_inner content_text_aligment="" css=".vc_custom_1466766289667{margin-right: -25px !important;margin-left: -25px !important;}"][vc_column_inner css=".vc_custom_1466774496691{padding-right: 25px !important;padding-left: 25px !important;}" offset="vc_col-lg-4"][vc_custom_heading text="British Ceramics Biennial 2013" font_container="tag:h5|font_size:16|text_align:left" google_fonts="font_family:Open%20Sans%3A300%2C300italic%2Cregular%2Citalic%2C600%2C600italic%2C700%2C700italic%2C800%2C800italic|font_style:600%20bold%20regular%3A600%3Anormal" css=".vc_custom_1530789133482{margin-top: 0px !important;margin-bottom: 0px !important;}"][vc_empty_space height="18"][vc_column_text]The opportunity to exhibit at the British Ceramics Biennial in Stoke on Trent in the summer of 2013 was both rewarding and challenging. While The

[vc_row content_text_aligment="" use_row_as_full_screen_section="no" css=".vc_custom_1530717261827{margin-right: 25px !important;margin-left: 25px !important;}"][vc_column][vc_empty_space height="60px" css=".vc_custom_1530718448778{margin-right: 25px !important;margin-left: 25px !important;}"][vc_row_inner content_text_aligment="" css=".vc_custom_1466766289667{margin-right: -25px !important;margin-left: -25px !important;}"][vc_column_inner css=".vc_custom_1466774496691{padding-right: 25px !important;padding-left: 25px !important;}" offset="vc_col-lg-4"][vc_custom_heading text="Exquisite Corpses" font_container="tag:h5|font_size:16|text_align:left" google_fonts="font_family:Open%20Sans%3A300%2C300italic%2Cregular%2Citalic%2C600%2C600italic%2C700%2C700italic%2C800%2C800italic|font_style:600%20bold%20regular%3A600%3Anormal" css=".vc_custom_1530788524814{margin-top: 0px !important;margin-bottom: 0px !important;}"][vc_empty_space height="18"][vc_column_text]This multiple wall work was conceived for an exhibition entitled Host, a group exhibition curated by Anastasia Lewis, who invited artists from a range of disciplines to

[vc_row content_text_aligment="" use_row_as_full_screen_section="no" css=".vc_custom_1530717261827{margin-right: 25px !important;margin-left: 25px !important;}"][vc_column][vc_empty_space height="60px" css=".vc_custom_1530718448778{margin-right: 25px !important;margin-left: 25px !important;}"][vc_row_inner content_text_aligment="" css=".vc_custom_1466766289667{margin-right: -25px !important;margin-left: -25px !important;}"][vc_column_inner css=".vc_custom_1466774496691{padding-right: 25px !important;padding-left: 25px !important;}" offset="vc_col-lg-4"][vc_custom_heading text="Ambika's Dream" font_container="tag:h5|font_size:16|text_align:left" google_fonts="font_family:Open%20Sans%3A300%2C300italic%2Cregular%2Citalic%2C600%2C600italic%2C700%2C700italic%2C800%2C800italic|font_style:600%20bold%20regular%3A600%3Anormal" css=".vc_custom_1530788109487{margin-top: 0px !important;margin-bottom: 0px !important;}"][vc_empty_space height="18"][vc_column_text]The installation Ambika’s Dream, shown in July 2014 at Ambika P3 artspace at the University of Westminster’s Marylebone site, formed part of a 3-day exhibition and conference

[vc_row content_text_aligment="" use_row_as_full_screen_section="no" css=".vc_custom_1530717261827{margin-right: 25px !important;margin-left: 25px !important;}"][vc_column][vc_empty_space height="60px" css=".vc_custom_1530718448778{margin-right: 25px !important;margin-left: 25px !important;}"][vc_row_inner content_text_aligment="" css=".vc_custom_1466766289667{margin-right: -25px !important;margin-left: -25px !important;}"][vc_column_inner css=".vc_custom_1571820251088{padding-right: 25px !important;padding-left: 25px !important;}" offset="vc_col-lg-4"][vc_custom_heading text="Rara Avis" font_container="tag:h5|font_size:16|text_align:left" google_fonts="font_family:Open%20Sans%3A300%2C300italic%2Cregular%2Citalic%2C600%2C600italic%2C700%2C700italic%2C800%2C800italic|font_style:600%20bold%20regular%3A600%3Anormal" css=".vc_custom_1530787603469{margin-top: 0px !important;margin-bottom: 0px !important;}"][vc_empty_space height="18"][vc_column_text]“A kind of person or thing rarely encountered” This latest body of figurative sculpture echoes familiar concerns with the relationship between historical artefacts and contemporary art. Drawing on